Narrative Nerd

Category: Shows

20 Stories that Changed Me in 2022

This is the last thing I write about 2022 I hope.

For Christmas I asked for and received (thanks to my mom and brother Jeff, thanks guys) Hideo Kojima’s The Creative Gene. The book (so far) is mostly Kojima’s account of stories that have influenced him, why they mattered to him, and sometimes how we can see their effects in his work.

I keep a yearly planner — a hobonichi techo — which has a “my 100” list in the back where you can chronicle 100 things. I never knew what to do with it, but in 2022 I kept a chronicle of media I consumed, whether I liked them or not, or other special memories of new places or things. So for the first time I had a reliable, localized collection of the things I read/watched/saw that were new to me. After starting The Creative Gene I thought it might be nice to share with you, like he shared with me, the things that I believe I learned something from that will help me go into the future.

So here are 20 of the stories that changed me in 2022, in no particular order.

Red vs Blue Season 15 – What the Hell is Payoff (SPOILERS)

I’m going to start with a disclaimer that I love Red vs Blue and I’m about to be really mean about it and it’s brand new writer and I feel really terrible. BUT I also feel obligated as an armchair narrative critic to call out its shit so it can be better next time. This post was constructed over a few hours with no editing, in classic narrative word vomit style.

In any narrative, for things to feel really good when it all comes full circle, you have to earn it. As a writer this can be easy to screw up because there’s a lot you need to juggle, especially with a large cast. Things have to be seeded, called back, developed and wrapped. There’s a lot of work involved in good character development.

In Red vs Blue Season 15 there is a lot of this happening. In fact, I would say, too much. Actually what I mean is that it was a goddamn disaster. Things were built, developed, and paid off with a fart sound (Grif and Simmons). Some things came up as payoff completely out of nowhere (Locus). Characters were developed who have already been developed, didn’t need development, and the development they got was shit that had already happened to them (Tucker and Sarge). There was some interesting stuff in Season 15 and some really good jokes, but in the end it feels like it was a waste of time and accomplished nothing.

Powered by WordPress & Theme by Anders Norén